As one of the main representatives of Britpop, Blur is considered to be one of the most successful bands in their music genre. After a six-year hiatus from their music career (2003-2009), now Blur keeps performing in various parts of the world. Although Blur’s last album was released in 2015, the band’s contribution to the world’s rock music remains significant even now.

Blur Bio

Young and ambitious guys, Damon Albarn and Graham Coxon, who were Goldsmiths College students of the liberal arts and played together in the Circus band, decided to create their own team. In 1988, the Seymour band was formed. At the same time, two more musicians joined the band: Alex James, who was a bassist, and Dave Rowntree, who played drums.

However, the name “Seymour” did not stick for long. During one of their live performances, the musicians were noticed by the talented producer Andy Ross. Their professional musical career began with this acquaintance. The group was invited to work in a recording studio and was advised to change the name.

Since that time, the band has been called Blur. As early as 1990, the group went on tour across Great Britain. In 1991, the first album, Leisure, was released.

Members

Blur’s main members —  vocalist Damon Albarn and guitarist Graham Coxon — met in 1980 in the English town of Colchester. The guys were 12 and 11 years old, respectively, went to the same school, and were both fond of music. On this basis, they became friends and even put together a couple of “amateur ensembles” that did not have much popularity with the public.

After school, Coxon entered Goldsmiths College in London, and there he met the third member of the future Blur band, Alex James. There, Coxon again met Albarn, who was taking music lessons at the college. At that time, Albarn wanted to organize his own group, changing its composition and name. Graham Coxon joined his band Circus and then introduced Albarn to James. The fourth member of Blur’s upcoming roster, Dave Rowntree, was also brought in by Coxon to Circus.

Interesting Facts

Here are some facts about Blur that have taken place throughout their music career.

• Blur did not choose to go on their US tour on their own. By 1992, they had $100,000 in debt, and in order to pay off their debts, the guys were forced to tour the United States.

• In 1996, at the Sanremo Music Festival, the band performed in an unusual lineup: instead of guitarist Graham Coxon (who “just got fed up with TV live”), there was his plywood figure, and instead of bassist Alex James, there was the band’s bodyguard.
• Blur split in 2003, but the band reunited more than once to play the show as a full lineup from time to time. One of their biggest performances was at Great Britain’s 2008 Summer Olympics, where they headlined the closing ceremony.
• In the summer of 2009, Blur returned to the stage after a long silence and performed triumphant concerts at the Glastonbury Festival, Hyde Park, and other venues. In 2010, the band released their highly anticipated single, Fool’s Day, for the first time since their last single, Good Song, had been released in 2003.

Two years later after the Good Song release, Blur presented just one single, Under the Westway/The Puritan. It included two eponymous songs, and it did not manage to claim high positions in music charts.

Albums: Discography

• Leisure is Blur’s debut album that was released in 1991.

• This was followed by the second album Modern Life Is Rubbish, which the audience had a chance to hear in 1993.
• In 1994, the band’s landmark album Parklife was released.This is a record that is associated with the Britpop style. 

• The Great Escape album was released in 1996 in the wake of the success of the Britpop movement.
• The album named after the band, Blur, which was released in 1997, opened up new sides of the musicians’ talent.
• In 1999, the album 13 was released — again, very different from what Blur had done earlier.
• Think Tank (2003) is the last album before their hiatus.
• In April 2010, Blur’s first new track, “Fool’s Day”, was released.
• The band’s latest album to date is The Magic Whip, which was released in 2015. 

In total, the discography of Blur counts eight studio albums.

Awards

The hugely popular songs “Beetlebum” and “Song 2,” influenced by indie rock and low-fay, took the first lines of the charts and were illustrated with video clips. They were the nominees for MTV and NME Awards.

The singles To the End and Parklife allowed the band to emerge from the shadows of the competition and become a musical sensation. Blur has received four iconic awards (for Best Group and Best Album) from the BRIT Awards.

For their 10th anniversary, the Blur group organized an exhibition dedicated to their work, and a book about the history of the band was also published. Nowadays, the musicians continue to perform and receive awards in the nominations for “Best Single” and “Best Video Clip.”

Britpop is an alternative rock genre, a revival of the dominant guitar style of 60s pop on the UK music scene in the 90s. Britpop emerged as a response to the popular grunge movement.

Britpop in the 60s

In the 60s, The Kinks were considered the founders of Britpop. After the group was denied entry to America due to the harsh social essence of their lyrics, they were less psychedelic than other British invasion groups, and in 1966 they released their first Britpop album, Face To Face. The following two works by the musicians called ‘Something Else By The Kinks’ and ‘The Kinks Are The Village Green Preservation Society’ became the standards of the genre. The Britpop melody of The Kinks was a mixture of English beats from the early Beatles and music hall traditions.

Origins

The modern origins of Britpop lie in post-punk and indie rock (in particular, such bands as Stone Roses, Smiths, Charlatans). It is believed that the term “Britpop” was first used by journalist and member of the punk band Goldblade John Robb in 1987. This is how he characterized the music of The Stone Roses. In 1997, this word earned a place in the Oxford English Dictionary.

The style flourished in 1994 when Blur released their cult records Definitely Maybe and Kurt Cobain’s Nirvana, the bulk of rock fans split into those who remained faithful to the American concept and those who began to welcome the British wave. The dominance of the world of rock again passed to the UK. America reserved the right to develop punk rock and its various branches: grunge, post-grunge, new metal, California punk, etc. In the third millennium, Britpop was recognized there as well. For example, The Killers and The Strokes emerged – bands that were undoubtedly influenced by the British “guitar” wave.

Britpop in the CIS countries

In the mid-90s Britpop gained a reputation as a separate direction in rock music. Over time, the wave reached the countries of the former USSR (However, there is an opinion that the genre originated in Russia independently, and the ancestor was the Wine group). It all started with the Baltics. The pioneers of Britpop are the Lithuanians “Biplane” (1995), who perform songs in both Lithuanian and Russian. 

The more successful group is the Brainstorm. Their hit “Maybe” won listeners not only in the CIS but even in the UK. The group that brought Britpop to Russia was Mumiy Troll and their leader Ilya Lagutenko. Having lived for a long time in England, he decided to adapt the original British direction for Russian-speaking listeners. In 1997, their first album “Marine” was released, which was recorded in London at Alaska Studios. The sound engineer was Chris Bandy, who previously worked with Cure, Duran Duran, Rolling Stones, Tears For Fears, and others. 

Russian companies “Soyuz” and “Polygram” considered the demo version of the album as “non-format” and refused to release it. As a result, the album was released by “Rec Records”. In the same year and on the same label, “Ikra” was released. The lyrics, music, and sound of the group turned out to be fundamentally new for Russia. 

In the CIS countries, the traditions of “Russian rock” were still strong. Later in Russia and Ukraine, such performers as Zemfira, Cartoons, Dancing Minus, Dream, Oedipus Complex, Thomas, Tonight, Okean Elzy, and others became popular.

Nowadays, the hysteria about Brit-pop has noticeably subsided, but Britpop itself is still developing and has plenty of fans. Moreover, its influence has spread all over the world, and almost everywhere, from America to Russia, you can find numerous brands that sound very like the original Britpop.

Many popular artists of this genre have also appeared. The fact is that the original Britpop, despite the root of “pop”, was still just rock music. Nowadays, plenty of people prefer this genre of music only, considering it the one of the highest quality.

If we take the purely pop singer Robbie Williams, then we can hear in many of his songs how Brit-pop sounds exactly in pop-musical form. Much the same can be said for the guitarless band from Sussex called Keane.

Main representatives

As we have previously mentioned, there are plenty of representatives from around the globe. The most well-known ones are the Kinks, Oasis, Stereophonics, Suede, Manic Street Preachers, Glasvegas, Cast, The Stone Roses, and Soundivers.

If there is a need to convert an audio file, it is impossible to do it without a converter. By the way, nowadays it is even possible to convert videos to MP3 with the help of YouTube to MP3 converters. But now, let’s focus on audio converters.

Media.io

This online audio converter can be found at the link https://www.media.io/. It is worth mentioning right away that it can be viewed from different angles because the browser version of the converter differs significantly from the desktop version, which is paid. Among the features of the browser version stand out:

• the ability to convert only 2 files;
• saving files both on your computer and on the cloud server;
• free use;
• an impressive number of supported formats (MP3, FLAC, WAV, M4A, WMA, and others).

As for desktop versions of this program, they open up incredible converting possibilities: you can even change the audio format by downloading entire folders. Here are the main features of the desktop version:

• the minimum price is $40 for using a personal account for a year, a lifetime license is$ 60;
• according to the developers, the conversion is 30 times faster than using any other converter (according to information from the official website);
• applications can be downloaded for both Windows and Mac.

This option is a very nice one if you need to convert files frequently, especially if you deal with a large number of files where there is a need for batch conversion.

Online Audio Converter

Now let’s take a look at an alternative to the previous batch processing option, which is also completely free. Online Audio Converter makes it possible for users to simultaneously convert a large number of tracks. Like the previous options, this audio converter supports all popular formats, allowing you to convert to MP3 and more.

Pay attention that the key feature of this service is that it can convert video to mp3 – that is, make audio files from video recordings, which favorably stands out among the previously reviewed converter. This can be useful, for example, if you have heard music in a movie or some video, but you simply cannot find it. In this case, the conversion will come to your aid.

Among the key features, a variety of settings should also be highlighted, including:

• recording quality;
• bitrate;
• the number of channels, as well as their frequency;
• removing voice from recording and much more.

An interesting feature is also the fact that you can upload audio recordings to the converter not only from your computer but also from any cloud storage. 

Convertio

Convertio is another example of an online music conversion service that offers both a free version and a subscription option that costs 12 dollars a month. As for the conversion itself, with the help of this tool, you can work with almost any file, and as for music, the service copes almost perfectly with any formats: ogg, wav, flac, mp3, wma … Users highlight a huge number of server advantages, which include:

• batch processing;
• attractive and simple interface;
• work with cloud storage;
• an impressive number of formats.

The difference between the paid version and the free version is the number of files that you can convert at the same time. For this reason, the service can be used free of charge if you do not need constant batch processing. If you have a free version, then you can convert only two files at once, but after that, you can upload an infinite number, the limitation applies only to parallel processing.

Speaking about the paid version, you can convert about 50 files simultaneously. 

Diktorov.net

And finally, let’s take a look at a very simple Russian audio file converter, which can also be used to perform simple tasks. It is called diktorov.net. Its features include:

• processing only one file at a time;
• a small number of supported formats (WAV, MP3, FLAC, OGG, AIFF, M4V);
• simplicity and speed of conversion;
• the ability to set simple settings (bit rate, number of channels, compression).

In any case, the choice is yours, each of the tools is good in its own way and has its own advantages and disadvantages. It is necessary to choose based on your tasks and in accordance with the required functions, formats, speed, and the number of concurrently processed audio recordings. It is not worth spending money on a paid converter if you only process files occasionally, but if this is part of your work, it may be worth resorting to the features of the paid services.

Music… music is everywhere. It becomes an integral part of our life. Any party cannot be without a musical accompaniment. And the main figure at any party – DJ. However, it is impossible to make a party without professional equipment. Today, professional DJ equipment costs a lot of money, and the main thing to do when choosing equipment is to look closely at the functions and capabilities.

Who is a DJ?

A DJ is a person who puts on music at a party. Its task is to create the right atmosphere so that guests do not get bored and, if necessary, dance. To do this, the DJ must have some kind of collection of music and the ability to work with it.

DJs play in nightclubs, private parties, weddings and banquets, restaurants and bars, raves, and dance festivals.

Often a DJ is also a musician at the same time: he writes his music, processes someone else’s, does voice acting for advertisements, films, writes soundtracks, mixes, and prepares other people’s works for publication. All super successful DJs are known primarily as musicians or remixers.

A DJ is a job in the service industry. There are many creative elements in it. So, the core of a modern DJ setup is a computer, most often a laptop, with a powerful processor to which a professional sound card and a midi controller are connected, sometimes the set is supplemented with decks and an external mixer. In this article, we will try to consider in detail everything you need to start a DJ career.

Headphones

Every DJ should have a pair of good headphones that greatly enhance the performance. They are primarily used for personal listening to tracks. First of all, headphones must meet some important parameters:

Insulation

Headphones are used to navigate the work with works right on stage. You should get a clear and loud sound that will be heard even in the noisiest place.

Comfort

Since the headphones will be either on the neck or the head for a long time, they should not be inconvenient. If you feel uncomfortable in the headphones, it will not in the best way affect the performance.

Cord length

Make sure the headphone cord is long enough as the DJ’s activities are quite fluid. At the same time, the cord should not be too long, otherwise, it will become tangled.

Strength

Sturdy accessories will last much longer. Headphones are constantly damaged in the bag, on the neck, and head. Therefore, it is still better to spend money once on good headphones than to constantly buy new ones.

Notebook

The computer must support the software required to create electronic music. It’s safe to say that most modern laptops are suitable for DJing.

If you decide to buy a new laptop, pay attention to the characteristics of the models, decide which parameters you want to pay more attention to.

USB ports

The laptop must have at least three USB ports. In this case, the more the better. Most controllers require two ports, and you also need to connect something else, like a mouse. If there are not enough ports, you can always buy a USB hub.

Battery life

While you are likely to plug your laptop into the mains while you work, a good battery will be a great backup in case you cannot recharge your device. A DJ needs to be able to work with music while on the go.

In addition, with the growing popularity of mobile devices, as well as the emergence of powerful iPad PRO, more and more DJ programs appear in the mobile segment. Along with this, it becomes possible to simplify your DJ setup.  All you need is a tablet, adapter and mixer. Such software like Traktor is already on mobile platforms.

Mixer

There are many types of controllers and mixers. Look for a controller that connects to your computer via USB, has a built-in sound card and audio interface because they are simpler to connect and operate than other mixers. Using the sound cards of the controller and computer allows you to hear what sounds in the main microphone and headphones.

Software

There is various DJ software out there, and it is not easy to single out one as the best. The most popular programs are Traktor and Virtual DJ. Well, every DJ chooses the software to his taste. We advise you to try several free trial versions and determine for yourself which one to purchase for permanent use.

For example, Traktor. The program can be controlled with just one computer – a key and a mouse, or controlled by numerous Native Instruments controllers.  But it is not at all necessary to be limited to “native” controllers, hardware of any other manufacturer is also easy to configure in the program interface.

Turntables

Designed to be played from vinyl or CD. The quality of the set itself depends on the characteristics of this equipment. The turntables of vinyl discs are quartz (the motor is connected to the rotating part directly) and belt (connection through a belt). One of the main definitions of good turntables is Pitch-control, which is used to adjust the speed of the composition. To keep the turntable mechanisms in good condition, so-called slipmats can be purchased so that the rotating part of the turntable does not slow down when scratching, for example. To play from CDs, pitch-control in turntables is required.

How is a keyboard instrument different from a workstation?  Basically – nothing, the sound shaping chain is the same anyway: keyboard, tone generator, effects processor. However, additional functional blocks such as sequencer or harmony and form factor separate these devices quite clearly into categories.

Besides the midi-keyboard, there are several other devices that work on the same principle, that is, electronic keyboards. Let’s try to understand the nuances of this technique.

Digital piano

A digital piano is the simplest keyboard device in terms of electronics: a minimal assortment of timbres, simple effects for imitating the sound of a hall.  All efforts in creating such instruments are aimed at neutralizing the difference in feel from playing them and traditional acoustic pianos. This is facilitated by a weighted 7-octave hammer action keyboard and a solid floor body with classic pedals. The digital piano also most often has a cover to keep dust out of the keys, and a music rest, which is a music stand.  The price of an instrument equipped with a full keyboard and an acceptable tone generator usually does not go below two thousand dollars. 

However, in a concert grand piano, the timbre also changes slightly from note to note, since the strings differ in number (three strings per note at the top, one in the bass), braiding material, length, and also the weight of the hammer.  It also recreates resonances when the pedal or other keys are pressed, and the natural decay of notes when the pedal is not fully pressed.

Midi keyboard

A MIDI keyboard is a keyboard-type instrument that is only used to record parts of other instruments.  It also allows you to quickly control the software used to process the received audio data. A laptop or stationary computer is used as a connecting link.

Some users are mistaken that MIDI can be used separately from the recording system. However, the keyboard will not sound unless you connect it to your computer.

 A distinctive feature of MIDI is the absence of timbres and built-in effects, as well as speakers that could play sound.  Therefore, a connection to a PC is required.  Also, the keyboard is configured through the software.

The advantage of midi keyboards is that they have digital input and output functions. This eliminates the need for a separate audio interface when used as a digital audio workstation.  But for live performance, a synthesizer with outputs for mixers, amplifiers and speakers is more suitable.

The smallest MIDI keyboards and synthesizers have only 25 keys, while full-size digital pianos and organs can be operated with 88 keys. The right choice for you depends on how much space you have to place the keyboard, its portability, and the music you plan to play.

Synthesizer

A synthesizer is essentially a textbook device that allows you to get the desired sound by pressing the keys.  There are no tools for recording the game in synthesizers, as well as other systems that help create a composition.  Today synthesizers are used primarily in recording studios and at concerts – for playing live.  There are many types of synthesizers, but one thing is clear: they are hardly suitable for the role of a universal home instrument.

Music workstation

The music workstation is potentially the most powerful standalone solution for composers who reject templates and stamps.  The stations do not have automatic accompaniment and other means that make it possible to rivet a song quickly and ingeniously.  However, in manual mode, you can do almost anything you want.  Like the best keyboard arrangers, flagship workstations allow you to create studio-quality compositions, including adding live instrument tracks and vocals (mic input and basic audio processing are available on many models, although the mic itself is not included).  A kind of compact home studio “in one box”.  The cost of truly outstanding models ranges from 4,000 to 7,000 US dollars, and simpler options are offered for more than 3 thousand dollars.

The workstation combines:

Piano keyboard

Like most keyboards, the music workstation has a full piano-style keyboard.

Drum machine

Sooner or later, you will want to create drum samples. And workstations have ready-to-use solutions on board.  In reality, the drum machine is more often presented in a virtual form.

Synthesizer

That is where the signal processing algorithms are loaded, and it is the very node that synthesizes the sound. Maybe without a keyboard, since in this context it is generally a computer program.

Sequencer

 The main emphasis is placed on recording, processing and playback of midi messages. In practice, this means that if you do not like the sound of the instrument that you recorded, then you can easily change it and put, for example, instead of the sound of a guitar, the sound of a church organ.

However, for professional work, a computer studio is potentially better in everything (a computer with a monitor, a MIDI keyboard, an audio interface) and licensed software, including sound libraries, then it can be even more expensive than the best keyboard station, and it will be disproportionate in setting up and using more difficult.  In this regard, the keyboard station is much more attractive: you can work immediately after plugging into the outlet, there is an instruction with a detailed description of each operation, and using an arsenal of functions is no more difficult than operating a smartphone.  But even the best keyboard stations are not suited for active recording of live instruments and processing / editing of such tracks.